Mrs. Selby hosted three viewing parties recently, one for each TV adaptation of the following Dorothy Sayers’ novels: Strong Poison, Have His Carcase, and Gaudy Night.
Set in the late 1920s through mid 30s, each stars Edward Petherbridge as Lord Peter Wimsey, the aristocratic sleuth, and Harriet Walter as Harriet Vane, the mystery writer.
Although, like other screen adaptations, they tend to leave out substance from the books and can’t fully capture the author’s energy, humor, and literary wit, there’s much to recommend them. Mainly the way the actors interpret their characters, the humanity they bring out, and the chemistry they enjoy between them. I really liked Petherbridge’s Wimsey and Walter’s Vane. And I was very fond of Richard Morant’s interpretation of Bunter (Peter Wimsey’s valet and assistant in criminal investigations).
Along with Mrs. Selby and me, there were three other regulars: Dora, Michiko, and Gilbert Frisch. However, Lewis came by for Strong Poison; Hank & Ivy watched Have His Carcase, because they’d heard about the code-cracking scene; and Howard popped in for Gaudy Night, mostly because of his interest in the Oxford scenes, his interest in Mrs. Selby’s red wine, and his need to procrastinate on an assignment due two days later.
So, that said – what were our impressions of each adaptation?
Continue reading “Wimsey Vane TV adaptations: Notes on Viewing”
I’ve been poking around the Creative Outlet Mall lately, wondering if I should sign up for a class and if so, what class and for how much, when I saw this flyer for the 16th Annual One-Day Romance Writing Workshop. Too bad I missed it (it took place a month ago, but the organizer plans to run a romance writing class sometime in the coming year)
Continue reading “Romance Writing Workshop at the Creative Outlet Mall”
Dora is sitting in front of the TV in the basement rec room. She looks calm, maybe bored.
I’ve gone down there to do the laundry, and I’m assuming it’s her clothes in the one machine currently in use. As for what she’s watching…
Continue reading “Ugly People Got Talent Too!”
I’ve been binge-watching 1940s and 1950s Hollywood film noir with Howard, who just handed in a big end-of-term assignment that he doesn’t want to talk about. He was happy to have me join his celebratory binge-watch; he apologized in advance for the fact that he would be saying little and staring lots at the TV. He’s watched all of these before, and one of the few things he told me was that he’s dreamt sometimes of being a film noir detective. So then I thought, if you did wake up in a film noir, how would you know? Here are a bunch of signs you’re a character in a Classic Hollywood film noir:
Continue reading “Signs you’re a character in a Classic Hollywood film noir”